Producing the Archive: Memory, Methods, Access

"The Archives of Mary Wollstonecraft: Paratextual Assertions of Authorial Authority and Proto-Feminist Politics."

Ottawa, ON. 2017. 

Congress of the Social Sciences and Humanities

Association of Canadian College and University Teachers of English (ACCUTE)

"History, Mediated by Ifs, Ands, or Butlers: Unreliable Traumatological Narrativization in Kazuo Ishiguro’s The Remains of the Day." 

Toronto, ON. 2017. 

Pippi to Ripley 4: Gender and Sexuality in Fantasy,Science Fiction and Comics

"Buffy the Patriarchy Slayer: An Ecology of Gendered Animality."

Ithaca, NY. 2017.

Buffy at 20

"Buffy the Patriarchy Slayer: An Ecology of Gendered Animality."

Milwaukee, WI. 2017.

Resistance, Broadly Construed

"Writing in the Oppressor’s Language: Adrienne Rich’s Navigation of an Artistic Paradox."

Toronto, ON. 2017. 

Brave New World: Revisiting Globalization in Literature and Culture

"'The imperfections of memory meet the inadequacies of documentation': Unreliable Traumatological Narrativization in Black Dogs and The Sense of an Ending."

Montreal, QC. 2017. 

"The Fantasy of Adaptable Social Orders in Happy Feet."

 

Lennoxville, QC. 2016.

"'From her husband’s hand her hand Soft she withdrew': Prelapsarian Perturbation and Subversion of Gender Interpellations in Paradise Lost."

 

Lennoxville, QC. 2015.

“There is no friend like a sister”: The Temptation of Female Sexuality in Christina Rossetti’s “Goblin Market”

Montreal, QC. 2014.

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Kailey Havelock © 2017

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